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Vico’s Ring

275

terdependent, organically linked parts. For Vico, however, the context is not a

given, an abstract preestablished totality within which particulars are fitted and

become intelligible» (Id.,

The New Map of the World

, cit., p. 149).

According to Walther, Spinoza’s emphasis on historical context is rooted

in philosophical commitments: «Daß der Rationalismus-Vorwurf gegenüber

Spinoza nicht darin besteht, daß dieser die Empirie ignoriere […], sondern

darin, daß er mit einem rationalistischen Apriori an die Bibel herantrete, das

dieser von vornherein die Intention auf Wahrheitserkenntnis abspricht und sie

deshalb zum Gegenstand kontextueller Kausalanalyse machen kann and ma-

chen muss […] (The criticism of Spinoza as being rationalist did not mean to

say that he ignored empirical reality […], but that he approached the Bible

with a rationalist a priori, which denied it, in principle, its claim or intention of

conveying knowledge of truth, and thus, it [the rationalist a priori] could, and

had to, make it a subject of contextualized study of its origins and develop-

ment)» (Id.,

Biblische Hermeneutik und historische Erklärung

, cit., p. 283).

555

Vico describes his project explicitly as “historiography” by statements

such as: «Inasmuch as the poets came certainly before the vulgar historians,

the first history must have been poetic (§ 813); […] poetic allegories […] must

necessarily contain historical significations referring only to the earliest times

of Greece (§ 818); the poets must therefore have been the first historians of

the nations (§ 820); all ancient profane histories have fabulous beginnings (§

840); it was the poets who began to write Roman history (§ 842); we were

obliged […] to restore to the fables their original historical meanings (§ 846);

the history of the peoples of Greece was all written by their poets (§ 847) the

cyclic poets […] preserved all the fabulous history of Greece from the origins

of their gods down to the return of Ulysses to Ithaca (§ 856)».

556

See E. Nuzzo,

Tra ordine della storia e storicità. Saggi sui saperi della storia in

Vico

, Rome, Edizioni di storia e letteratura, 2001, pp. 1-108.

557

See the more detailed assessment of prevailing ancient attitudes in L.

Kim,

Homer between History and Fiction in Imperial Greek Literature

, Cambridge-

New York, Cambridge University Press, 2010, pp. 22-46, on which our com-

ments are based, summarized as follows: «[…] a vision of Homeric poetry as

an accurate mimetic reflection of historical reality – Homer as a painter of he-

roic life – was common throughout antiquity» (

ibid.

, p. 27).

558

According to Kim, «Thucydides is thus caught in the same bind as He-

rodotus, engaged as they both are in a struggle for historiographical authority

with an illustrious predecessor. […] they have to concede that Homer did

know the truth and that he was interested in conveying some of that truth in

his poetry. In other words, they question Homer’s devotion to historical accu-