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Vico’s Ring

273

lità […] l’unico criterio di giudizio […]. […] secondo le parole di Spinoza, tut-

to accade secondo necessità, senza che si possano rintracciare atti eroici o

epoche di barbarie. La “nuova scienza”, al contrario, rivendica il valore della

memoria, della fantasia e dell’ingegno […]. (Reason can thus be the ultimate

outcome of the historical journey of humans, but this does not mean it is the

locus of all the richness produced by history […]. […] Vico refutes precisely

the pretension of designating reason […] as the sole criterium of judgment

[…]. […] according to what Spinoza says, everything happens by necessity,

without the possibility of being able to explain heroic deeds or eras of barba-

rism. The “new science”, on the contrary, vindicates the value of memory,

imagination, and ingenuity […])» (

ibid.

, p. 115).

544

Similarly §§ 820, 840, 841, 842, 845, 848.

545

V. Vitiello,

Prefazione. Scrivere la storia

, in F. Valagussa,

Vico. Gesto e poesia

,

cit., pp. V-XI, p. VII.

546

In the Corollary and Note (Scholium) to this Proposition, Spinoza

makes it clear that «ideas» and «things» belong strictly to his metaphysical sys-

tem, not mundane historical processes: «Substance thinking and substance

extended are one and the same substance, comprehended now through one

attribute, now through the other. […] God’s intellect and the things under-

stood by God are identical. […] as long as we consider things as modes of

thinking, we must explain the order of the whole of nature […] through the

attribute of thought alone».

547

§ 781: «Diomed can wound Venus and Mars with the help of Minerva,

who, in the contest of the gods, despoils Venus and strikes Mars with a rock».

548

Let us not overlook the note of none too subtle sarcasm that Vico

could not resist appending (in both the 1730 and 1744 editions): «What are we

then to say of his [Homer’s] representing his heroes as delighting so much in

wine, and, whenever they are troubled in spirit, finding all their comfort (c

on-

suolo

, 1730;

conforto

, 1744), yes, and above all others the wise Ulysses, in getting

drunk? Fine precepts for consolation, most worthy of a philosopher!» (§ 784).

549

See G. Mazzotta,

The New Map of the World

, cit., p. 146: «Castelvetro,

much like other Renaissance theorists […], never understood the true origin

of poetry».

550

Referred to by Mali as «the mythical foundations of reality» (Id.,

The

Rehabilitation of Myth

, cit., p. 86), and a view in which Vico likely was influ-

enced by Italian humanism, as proposed by E. Garin,

Science and the Civil Life in

the Italian Renaissance

, trans. by P. Munz, Cambridge-New York, Doubleday,

1978.

551

Vico studies are replete with expositions and elucidations of Vico’s

“myth-ology”, as a starting point of which (in English) the following are help-