Vico’s Ring
163
intellectual genius in the logico-deductive method (i.e. deductive
completeness, in modern terms), Vico took away from Euclid
the primacy of premises and foundational concepts (i.e. the no-
tion of descriptive completeness). The logico-deductive process,
therefore, could never be compelling to him as a rival or re-
placement of natural language.
Humans are indeed able to step “outside” language, and rein-
vent themselves, and their language
389
. Thus, it is also possible to
speak of the “relation of language to the world” in language,
which becomes a meta-language
390
in the process. Perhaps,
plastic-
ity
is a suitable graphic term to connote this potential of language
to be put to use at any desired level of discourse
391
.
This brings to a conclusion our notes on the segments of
Sci-
enza nuova
that correspond to, and complement, each other, con-
sidered in a concentric manner. However, this leaves out the part
of the work that Vico placed at the center – both literally and
conceptually–, that is, Book III, “Discovery of the true Homer”.
We will now touch on certain aspects of it, among which reflec-
tions on Vico’s philosophy of language will continue to play an
important part.
Notes to Chapter 7
293
We are using “philosophy of language” loosely and out of convenience;
E. Coseriu stated that J. Trabant has shown that Vico’s reflections on lan-
guage do not constitute a philosophy of language in the strict sense but rather
a general theory of semiotics (Id.,
El lugar de los universales fantásticos en la filosofía
de Vico
, in
Pensar para un nuevo siglo
, vol. I, cit., pp. 3-22, p. 21; for a full account
of Trabant’s interpretation, see Id.,
Vico’s New Science of Ancient Signs
,
trans. by
S. Ward, foreword by D. Ph. Verene, London-New York, Routledge, 2004,
originally published in German as
Neue Wissenschaft von alten Zeichen
, Frankfurt,
Suhrkamp, 1994; the sematological approach has been developed further into
a «semiotic-pragmatic» framework in S. Marienburg,
Zeichenhandeln. Sprachden-
ken bei Giambattista Vico und Johann Georg Hamann,
Tübingen, Gunter Narr Ver-
lag, 2006).